Alicia Hunsicker's art is undeniably beautiful. She is an expert at extracting the highly-detailed textures and fibers of the human body, bringing them from darkness, into the light, with a technical precision that rivals any modern-day master.
David Aquino, Brattleboro Reformer

Artist Statement/Bio

About Me:

I am a progressive mixed media painter who lives in a remote hill town in Western Massachusetts. My mountain top studio is surrounded by nature that provides a constant source of inspiration. From an early age, I felt called to be an artist. I graduated from the University of Massachusetts where I received my BFA in Printmaking with a Graphic Design focus. After graduation I became interested in painting and although I had a few painting classes in college I consider myself self-taught.

As a painter, I have exhibited my work internationally and have been recognized with numerous grants, residencies, and awards. Here are a few highlights of completed projects over the past few years:
In 2008, I traveled to Chinato work with the Zendai Museum of Modern art. There I presented a collaborative project “Eye to Eye” which was included in the ‘Intrude: Art & Life 366’program. Additionally, my photography was featured in a second project in 366 called “We Are Having Weather”. Both projects are now included in the Zendai MoMA’s permanent collection. Other notable artists in this program included Yoko Ono and Ai Weiwei.

In 2010, I completed my first residency at Vermont StudioCenter where I spent a month of intense studio time developing work. While there I also presented my work to the community in an artist talk and slide show, and participated in several open studio events.

In 2011, I worked with New York artist, James Esber, in his “This is not a Portrait” project that was exhibited at The Aldrich Contemporary Art Museum, Ridgefield, CT.

At the end of 2011, I exhibited a new body of work in a solo show at Gallery in the Woods in Brattleboro, VT entitled “Moments of Creation”. This series of paintings evolved from the idea of expressing the moment in time where thought or energy transforms into form or matter. Many people resonated with this work and pointed out a strongly perceived scientific connection. Some even called the compositions biological landscapes.

 
This past year, 2012, I launched a successful Kickstarter project “Boundless” allowing me the opportunity to complete a residency fellowship in Mallnitz, Austriawith the D. Fleiss East West Artist Foundation that culminated in an exhibition at the BIOS museum. After the residency I went on to stay in Lyon, France and to travel to Geneva, Switzerlandto visit CERN, The European Organization for Nuclear Research. My work is now included in the DFEWA Foundation’s collection which is exhibited around the world.
To see more of the exhibitions and projects I have worked on you can go to my resume link in the top left.

My work is included in numerous private collections. Articles about my art have appeared in many print magazines, newspapers, and online magazines. The most recent can be found in Artscope magazine and Super Consciousness

Magazine.


About my work:

I believe that we are all here carrying a unique piece of the divine spark and that we are here to bring that spark into the light of the world. My work has become an expression of that belief. Every day I see evidence that there is a divine pattern expressed in nature. Whether scientific or spiritual, I aim to express that interconnectedness in my paintings by creating compositions that show these correlations. We are all made up of the same stuff. It is our perceptions that make us unique, that impress what we manifest into the world and impacts how the universe expands. My recent work has led me in a new and unexpected direction. I am approaching my practice from the scientific theory of Unification also coined as the ‘Theory of Everything’. Although scientists are still searching for it, it is this one idea which unites and explains everything!

It was a poignant realization that the concepts I explore in my work are closely related to ones that many scientists are exploring in their research.

I want my work to be a bridge, to break boundaries, and to intersect art, spirit, and science. I am particularly drawn to concepts being explored in Theoretical & Quantum Physics and how they relate to the energetic realms that directly impact our minds and bodies. I am also fascinated by the work being done at IONS (The Institute for Noetic Sciences) in the field of human consciousness.
 
About my process:

I translate my ideas into preliminary “sketches” using current digital photographic techniques and software. Once I have arrived at a composition I feel passionate about, I experiment with black and white xeroxing to play with scale and then decide what size will deliver the strongest impact. Taking a trip back to my roots as a printmaker, I apply the “sketch” onto the work surface using an acrylic transfer process. I am then left with a black and white image on which to establish an initial layer of acrylic color. From there I build up the surface with oil paint using traditional techniques. My process opens up exploration into concept, imagery, and paint application, which allows me to grow and discover along the way.